Ronald Stevenson, Igor Levit's 'Passacaglia on DSCH: Pars Altera: Episode' came out on September 10, 2021. With Passacaglia on DSCH: Pars Altera: Episode being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 69 in the song's album "On DSCH". In this album, this song's track order is #12. Based on our statistics, Passacaglia on DSCH: Pars Altera: Episode's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Passacaglia on DSCH: Pars Altera: Episode by Ronald Stevenson, Igor Levit having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 78 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Piano Sonata No. 13 in A, D664: 2. Andante | Franz Schubert, Mitsuko Uchida | D Major | 0 | 10B | 127 BPM | ||
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Ghanaian Folk-song Suite: I. Song of Valour | Ronald Stevenson, Christopher Guild | A Minor | 0 | 8A | 113 BPM | ||
Lied für Piano-Forte | Gertrude van den Bergh, Frans Van Ruth | E Major | 0 | 12B | 132 BPM | ||
6 Bagatelles for Piano, Op. 97: Lied, No. 2 | Jean Sibelius, Leif Ove Andsnes | F Major | 0 | 7B | 66 BPM |
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