Holberg Suite, Op. 40: II. Sarabande (Andante)
Edvard Grieg, Libor Pešek, Slovak Philharmony
Grieg: Elegaic Melody - Holberg - Peer Gynt
4:08 January 1, 2009
BPM
81
Key
G Minor
Camelot
6A

Embed

Share Link

Holberg Suite, Op. 40: II. Sarabande (Andante) - Edvard Grieg, Libor Pešek, Slovak Philharmony Information

Acousticness
93%
Danceability
8%
Energy
4%
Instrumentalness
75%
Liveness
16%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.677 dB

Summary

"Holberg Suite, Op. 40: II. Sarabande (Andante)" by Edvard Grieg, Libor Pešek, Slovak Philharmony was released on January 1, 2009. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Various Artists's "Grieg: Elegaic Melody - Holberg - Peer Gynt" album is number 12 out of 15. On top of that, United States appears to be the country where this track was created. Holberg Suite, Op. 40: II. Sarabande (Andante) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Holberg Suite, Op. 40: II. Sarabande (Andante) BPM

We consider the tempo marking of Holberg Suite, Op. 40: II. Sarabande (Andante) by Edvard Grieg, Libor Pešek, Slovak Philharmony to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Holberg Suite, Op. 40: II. Sarabande (Andante) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bagatelles et impromptus: VII. Love by Bedřich Smetana, William HowardBagatelles et impromptus: VII. LoveBedřich Smetana, William HowardA Major011B71 BPM
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111 BPM
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) by Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzFlute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano)Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzG Minor06A73 BPM
3 Romances, Op. 11: 1. Andante by Clara Schumann, Isata Kanneh-Mason3 Romances, Op. 11: 1. AndanteClara Schumann, Isata Kanneh-MasonE♭ Minor02A127 BPM
Elgar: Variations on an Original Theme, Op. 36, Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante)Edward Elgar, London Symphony Orchestra, Sir Adrian BoultG Minor16A178 BPM
Melody in F Major, Op. 3, No. 1 by Anton Rubinstein, Philippe EntremontMelody in F Major, Op. 3, No. 1Anton Rubinstein, Philippe EntremontF Major07B74 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta by Edvard Grieg, Javier PerianesLyric Pieces, Book 1, Op. 12: I. AriettaEdvard Grieg, Javier PerianesB♭ Major06B72 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence FosterE♭ Major05B100 BPM
Suite in B-Flat Major, HWV 434: IV. Menuet by George Frideric Handel, Khatia BuniatishviliSuite in B-Flat Major, HWV 434: IV. MenuetGeorge Frideric Handel, Khatia BuniatishviliG Minor06A59 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A81 BPM
ISRC
USSJ10805493
Label
L-M Records/RCA Records

Section: 1.0833289623260498

End: 1.08805513381958