"The Garden of Adonis, suite for flute and harp: 3. Adagio, like a solemn dance" by Alan Hovhaness, Na, Arild Andersen, MAŁGORZATA MILEWSKA SUNDBERG was released on October 1, 2019. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Na, Małgorzata Milewska Sundberg, Arild Andersen's "Music for flute & harp" album is number 6 out of 22. The Garden of Adonis, suite for flute and harp: 3. Adagio, like a solemn dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Garden of Adonis, suite for flute and harp: 3. Adagio, like a solemn dance by Alan Hovhaness, Na, Arild Andersen, MAŁGORZATA MILEWSKA SUNDBERG to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
La Source | Alphonse Hasselmans, Judy Loman | F Major | 1 | 7B | 89 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | D Minor | 0 | 7A | 109 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Pender Island | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM |
Section: 0.6456124782562256
End: 0.6511752605438232