Gioachino Rossini, Glyndebourne Festival Orchestra, Sari Barabas, Vittorio Gui's 'Le Comte Ory, Act II: Act II: J'entends d'ici le bruit des armes (Countess)' came out on August 1, 2014. The duration of Le Comte Ory, Act II: Act II: J'entends d'ici le bruit des armes (Countess) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Le Comte Ory, Act II: Act II: J'entends d'ici le bruit des armes (Countess)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rossini: Le comte Ory (The Count Ory)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Based on our statistics, Le Comte Ory, Act II: Act II: J'entends d'ici le bruit des armes (Countess)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Comte Ory, Act II: Act II: J'entends d'ici le bruit des armes (Countess) by Gioachino Rossini, Glyndebourne Festival Orchestra, Sari Barabas, Vittorio Gui having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Sonata for Strings No. 6 in D Major, "La tempesta": III. Tempesta. Allegro | Gioachino Rossini, Hungarian Virtuosi, Tamás Benedek | F♯ Major | 2 | 2B | 150 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM | ||
La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM |
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