Leonard Bernstein, London Symphony Orchestra's 'Candide / Act I: 1. Overture' came out on January 1, 1991. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Candide / Act I: 1. Overture's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 1. Overture by Leonard Bernstein, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Concerto for Clarinet | Wolfgang Amadeus Mozart, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 86 BPM | ||
Má Vlast, JB1:112: 3. Sarka | Bedřich Smetana, Czech Philharmonic Orchestra, Jiří Bělohlávek | A Major | 1 | 11B | 100 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Shadowlands (End Credits) | George Fenton, London Symphony Orchestra | C Major | 2 | 8B | 127 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM |
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