"Canções Heróicas: Combate" by Fernando Lopes-Graça, Joaquim Namorado, Coro da Academia dos Amadores de Música, Olga Prats was released on January 1, 1974. With Canções Heróicas: Combate being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 23 in Canções Heróicas / Canções Regionais Portuguesas by Coro da Academia dos Amadores de Música, Fernando Lopes-Graça, Olga Prats. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. The popularity of Canções Heróicas: Combate is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canções Heróicas: Combate by Fernando Lopes-Graça, Joaquim Namorado, Coro da Academia dos Amadores de Música, Olga Prats is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canções Heróicas: Não Te Deites Coração | Fernando Lopes-Graça, Edmundo Bettencourt, Coro da Academia dos Amadores de Música, Fernando Gomes | G Major | 1 | 9B | 109 BPM | ||
Cantantibus Organis (Ravanello) | Oreste Ravanello, Benedictines of Mary, Queen of Apostles | G Major | 1 | 9B | 104 BPM | ||
In Monte Oliveti | François d'Arjac, Choeur de Profundis | F♯ Minor | 2 | 11A | 127 BPM | ||
O menino de sua mãe, Op. 21 | Fernando Lopes-Graça, Susana Gaspar, Nuno Vieira de Almeida | D♭ Major | 6 | 3B | 117 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Misa a Buenos Aires "Misatango": Kyrie | MartÍn Palmeri, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 109 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
When Saul was king: V. Howl, O ye fir-trees | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Sérénade | Fanny Hearst | A Major | 1 | 11B | 125 BPM |
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