"When Saul was king: V. Howl, O ye fir-trees" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music had its release date on May 24, 2024. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. When Saul was king: V. Howl, O ye fir-trees's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 27 out of 27. On top of that, United Kingdom appears to be the country where this track was created. When Saul was king: V. Howl, O ye fir-trees is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When Saul was king: V. Howl, O ye fir-trees by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te deum, LWV 55: VII. Tu ad dexteram Dei sedes | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
Speak to My Heart | Jakarta Oratorio Society | E Major | 5 | 12B | 132 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
The Mass: Kyrie | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
Hymnen, Op. 140: Nr. 1 Tribulationes | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 1 | 7B | 133 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM |