"Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor)" by Giuseppe Verdi, Maria Callas, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai, Gabriele Santini was released on 1954. With this song being about 5 minutes long, at 4:37, "Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor)" by Giuseppe Verdi, Maria Callas, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai, Gabriele Santini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #34 out of 44 tracks. Based on our statistics, Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor) by Giuseppe Verdi, Maria Callas, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai, Gabriele Santini has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM |
Section: 0.6928930282592773
End: 0.6965126991271973