"12 Sketches, Op. 47: VII. Agitato" by Reinhold Glière, Gianluca Imperato had its release date on April 28, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Reinhold Glière, Gianluca Imperato's "Glière: Piano Music" album is number 32 out of 34. 12 Sketches, Op. 47: VII. Agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Sketches, Op. 47: VII. Agitato by Reinhold Glière, Gianluca Imperato to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pieces, Op. 39: No. 3. Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | G Major | 2 | 9B | 123 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 1, Andante | Richard Strauss, Guillaume Bellom | B♭ Major | 0 | 6B | 71 BPM | ||
Act I - Variation With Gold Fingers | St. Petersburg State Symphony Orchestra, Reinhold Glière | E Major | 2 | 12B | 118 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM | ||
Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | C Major | 1 | 8B | 177 BPM |