Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff's '8 Pieces, Op. 39: No. 3. Berceuse' came out on January 1, 2013. The duration of 8 Pieces, Op. 39: No. 3. Berceuse is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. 8 Pieces, Op. 39: No. 3. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinhold Glière, Martin Rummel's "Glière: Complete Duets with Cello" album is number 3 out of 31. Based on our statistics, 8 Pieces, Op. 39: No. 3. Berceuse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 8 Pieces, Op. 39: No. 3. Berceuse by Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
String Quartet No. 1 in A Major, Op. 2: I. Allegro | Reinhold Glière, Glière String Quartet, Wladislaw Winokurow, Dominika Falger, Martin Edelmann, Endre F. Stankowsky | A Major | 1 | 11B | 121 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 2. Adagio | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Beau soir (arr. J. Heifetz) | Jascha Heifetz, Claude Debussy, Elissa Lee Koljonen, Robert Koenig | F♯ Minor | 0 | 11A | 66 BPM | ||
Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Variations on a Hungarian Peasant Song, Op. 4 | Miklós Rózsa, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
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