Ludwig van Beethoven, Vladimir Ashkenazy's 'Bagatelle in A Minor, WoO 59 "Für Elise" - Live' came out on October 1, 1984. The duration of Bagatelle in A Minor, WoO 59 "Für Elise" - Live is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Bagatelle in A Minor, WoO 59 "Für Elise" - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 5 in Beethoven: Piano Concerto No. 3; Andante favori; Für Elise by Ludwig van Beethoven, Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bagatelle in A Minor, WoO 59 "Für Elise" - Live's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bagatelle in A Minor, WoO 59 "Für Elise" - Live by Ludwig van Beethoven, Vladimir Ashkenazy is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Rapsodia Hungara No 2 | Orquesta Sinfónica De Eslovaquia | D♭ Major | 3 | 3B | 141 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
16 Waltzes, Op. 39: Waltz 15 | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | F Major | 0 | 7B | 94 BPM | ||
Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | D♭ Minor | 0 | 12A | 86 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM |
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