Peter and the Wolf, Op. 67 (Without Narration): Andante molto - Sergei Prokofiev, Leonard Bernstein, New York Philharmonic Information

Acousticness: 94%
Danceability: 28%
Energy: 6%
Instrumentalness: 68%
Liveness: 11%
Loudness: 64%
Speechiness: 4%
Valence: 11%
Popularity: 18%
Loudness: -21.559 dB

Summary

"Peter and the Wolf, Op. 67 (Without Narration): Andante molto" by Sergei Prokofiev, Leonard Bernstein, New York Philharmonic was released on November 2, 2018. With Peter and the Wolf, Op. 67 (Without Narration): Andante molto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #7. Based on our statistics, Peter and the Wolf, Op. 67 (Without Narration): Andante molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peter and the Wolf, Op. 67 (Without Narration): Andante molto BPM

With Peter and the Wolf, Op. 67 (Without Narration): Andante molto by Sergei Prokofiev, Leonard Bernstein, New York Philharmonic having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Peter and the Wolf, Op. 67 (Without Narration): Andante molto Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12	Franz Schubert, Gil Shaham, Göran Söllscher	G Major	1	9B	79 BPM
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman	Gustav Holst, Ulster Orchestra, Joann Falletta	B♭ Major	0	6B	134 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Mephisto Waltz No. 1, S. 514	Franz Liszt, Khatia Buniatishvili	E Major	2	12B	132 BPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz	St. Petersburg State Symphony Orchestra, Aram Khachaturian	C Major	3	8B	94 BPM
Serenade	Franz Schubert, Eugene Ormandy, Philadelphia Orchestra	C Major	0	8B	91 BPM
Raymonda, Op. 57: Act III - Variation IV	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D Minor	0	7A	90 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	F Major	1	7B	142 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.83512282371521

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