"Die Winterreise Op. 89 : Gute Nacht" by Dietrich Fischer-Dieskau, Gerald Moore was released on October 1, 2012. Die Winterreise Op. 89 : Gute Nacht is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 44 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. In terms of popularity, Die Winterreise Op. 89 : Gute Nacht is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Winterreise Op. 89 : Gute Nacht by Dietrich Fischer-Dieskau, Gerald Moore is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich habe genug, Cantata BWV 82: 1. "Ich habe genug, ich habe den Heiland" | Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | C Minor | 1 | 5A | 79 BPM | ||
Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) - Live | Anton Bruckner, Gewandhausorchester, Andris Nelsons | D♭ Major | 1 | 3B | 128 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Reri Grist, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm | A Minor | 3 | 8A | 168 BPM | ||
Six Lieder, Op.13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM |
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