Modest Mussorgsky, George Szell, Cleveland Orchestra made "Pictures at an Exhibition: Promenade III" available on 1958. With Pictures at an Exhibition: Promenade III being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Szell's "Mussorgsky: Pictures at an Exhibition - Expanded Edition" album is number 5 out of 29. Pictures at an Exhibition: Promenade III is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pictures at an Exhibition: Promenade III by Modest Mussorgsky, George Szell, Cleveland Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2) | Wolfgang Amadeus Mozart, Friedrich Gulda, Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado | D Minor | 3 | 7A | 136 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Symphony No.1 in D minor, Op.13: 3. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM |
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