Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)' came out on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 15 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) by Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Die Entführung aus dem Serail / Act 2: "Martern aller Arten" | Wolfgang Amadeus Mozart, Edita Gruberova, Wiener Philharmoniker, Sir Georg Solti | C Major | 1 | 8B | 97 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
Davide penitente, K. 469: Aria: A te, fra tanti affanni (Tenor) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 119 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai"- "Chi è là?"/"Stelle! che vedo" | Wolfgang Amadeus Mozart, Joyce DiDonato, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B♭ Minor | 1 | 3A | 85 BPM |
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