"A che tormi il ben mio" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini had its release date on February 20, 2003. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. A che tormi il ben mio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 1 (Il Primo Libro De Madrigali, 1587) and Secular Manuscript Works" album is number 3 out of 26. On top of that, Hong Kong appears to be the country where this track was created. A che tormi il ben mio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A che tormi il ben mio by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Les Indes galantes: "Tendre Amour" | Jean-Philippe Rameau, Les Arts Florissants, Les solistes du Jardin des Voix 2013, William Christie | C Major | 3 | 8B | 69 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Fac Ut Portem | Andreas Scholl | B Minor | 2 | 10A | 67 BPM | ||
Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée | B Minor | 3 | 10A | 100 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM |