"Giuditta / Act IV: Meine Lippen, die küssen so heiss" by Franz Lehár, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume was released on January 1, 2009. Giuditta / Act IV: Meine Lippen, die küssen so heiss is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 10 out of 17 in Anna - The Best of Anna Netrebko by Anna Netrebko. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Giuditta / Act IV: Meine Lippen, die küssen so heiss is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giuditta / Act IV: Meine Lippen, die küssen so heiss by Franz Lehár, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 0 | 12B | 76 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" | Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | F Major | 1 | 7B | 125 BPM | ||
Delirien Waltz, Op. 212 | Josef Strauss, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 81 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Der Fliegende Holländer: Steuermann, lass die Wacht | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | G Major | 4 | 9B | 82 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Carmen / Act 1: Marche et Choeur des gamins: "Avec la garde montante" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben | D Minor | 1 | 7A | 121 BPM | ||
Schönfeld-Marsch op.422 - Arr. Martin Uhl | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | D Major | 5 | 10B | 123 BPM |
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