"Dominica in ramis palmarum: Introductio. Unus ex discipulus" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations was released on September 3, 2021. With Dominica in ramis palmarum: Introductio. Unus ex discipulus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 88 in the song's album "Passion - Officivm Hebdomadæ Sanctæ". In this album, this song's track order is #1. Based on our statistics, Dominica in ramis palmarum: Introductio. Unus ex discipulus's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dominica in ramis palmarum: Introductio. Unus ex discipulus by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Folias | Francesco Corbetta, Gaspar Sanz, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 98 BPM | ||
Les Indes Galantes - Tambourins I/II | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Minor | 3 | 10A | 66 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
Alcione, Prologue: Prélude - "A l’éclat de vos chants" | Marin Marais, Jordi Savall, Antonio Abete, Lisandro Abadie, Sebastian Monti, Le Concert Des Nations | A♭ Major | 1 | 4B | 65 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
Follias Criollas: Gallarda Napolitana | Antonio Valente, Jordi Savall | G Major | 5 | 9B | 143 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | B♭ Minor | 1 | 3A | 89 BPM | ||
Alcione, Acte I Scène 3: "Ce n’est point mon palais qu’il faut réduire en poudre" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 69 BPM |
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