Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations's 'Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense"' came out on September 24, 2021. With Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense" being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Le Concert Des Nations's "Marin Marais; Alcione" album is number 18 out of 85. On top of that, Switzerland appears to be the country where this track was created. Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcione, Acte V Scène 2: "Barbares, laissez-moi ; votre pitié m’offense" by Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
Partita GWV 150: IV. Sarabande | Christoph Graupner, Geneviève Soly | B Minor | 1 | 10A | 145 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
Ariane et Bacchus, Act V: Récit. Perfide, ôte-toi de mes yeux | Marin Marais, Judith van Wanroij, Mathias Vidal, Marie Perbost, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | G Major | 2 | 9B | 109 BPM | ||
Alcione - 1Ère Suite - Airs Pour Les Driades Et Les Bergers - 2Ème Menuet Pour Les Mêmes | Jordi Savall, Marin Marais | D Minor | 2 | 7A | 118 BPM | ||
Ariane et Bacchus, Act V: Prélude et récit. Princesse, d'Ariane évitez la présence | Marin Marais, Hélène Carpentier, Marine Lafdal-Franc, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | A Major | 3 | 11B | 118 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Rameau: Les Fêtes d'Hébé, Act I: "Je vous revois" (Le Ruisseau, La Naïade) | Jean-Philippe Rameau, Jean Rondeau, Lea Desandre, Marc Mauillon, Myriam Rignol | F♯ Major | 1 | 2B | 128 BPM |
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