Oliver Davis, Kerenza Peacock, Paul Bateman made "Dancing Folk: II. Second Movement" available on September 30, 2016. The duration of Dancing Folk: II. Second Movement is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Dancing Folk: II. Second Movement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Oliver Davis: Dance". In this album, this song's track order is #13. Based on our statistics, Dancing Folk: II. Second Movement's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Dancing Folk: II. Second Movement by Oliver Davis, Kerenza Peacock, Paul Bateman having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in E Major, Op. 8, RV 269, "La primavera": III. Allegro pastorale | Antonio Vivaldi, Kerenza Peacock, Ivor Setterfield, Trafalgar Sinfonia | G Minor | 2 | 6A | 136 BPM | ||
Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Major | 1 | 8B | 174 BPM | ||
The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss | Orchestra of the Swan, David le Page | D Major | 1 | 10B | 77 BPM | ||
4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | ||
Reliquary: 1. Cantus Firmus - For Burberry | Ilan Eshkeri, London Metropolitan Orchestra, Rosey Chan, Bethany Horak Hallett, Daisy Chute, Tim Lacy | C Major | 3 | 8B | 140 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Adagio For Strings, Op.11 | Samuel Barber, London Symphony Orchestra, Kristjan Järvi | B♭ Minor | 1 | 3A | 77 BPM | ||
Attention | Leon Beehive | A Major | 1 | 11B | 111 BPM | ||
Melodies of the Moments - Cycle VII: I. Elegy | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM |
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