"The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss" by Orchestra of the Swan, David le Page was released on November 19, 2021. With this song being about 5 minutes long, at 5:08, "The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss" by Orchestra of the Swan, David le Page is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Williams, Berliner Philharmoniker, Orchestra of the Swan's "Labyrinths" album is number 15 out of 16. On top of that, United Kingdom appears to be the country where this track was created. The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss by Orchestra of the Swan, David le Page to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and String Orchestra: II. Adagio - Tranquillo | Ralph Vaughan Williams, Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan | G Minor | 1 | 6A | 81 BPM | ||
Epilogue (From "Henry V") [Arr. E. Watson for Orchestra & Narrator] | William Walton, Kevin Whately, Orchestra of the Swan, Bruce O'Neil | A Minor | 0 | 8A | 62 BPM | ||
Hollow | Cecilia De Maria | E♭ Major | 0 | 5B | 112 BPM | ||
Walk With Us - For Black Lives Matter | Alexis Ffrench | A Minor | 0 | 8A | 65 BPM | ||
The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
Concertino bianco: 1. Con intenerimento | Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Isabel's Noisy Tummy, Pt. 3 | Bernard Hughes, Alexander Armstrong, Orchestra of the Swan, Tom Hammond | F Major | 2 | 7B | 78 BPM | ||
Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
to hold the stars in the palm of your hand | Chad Lawson, Royal Philharmonic Orchestra, James Southall | E Minor | 0 | 9A | 65 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegro moderato | Dmitri Shostakovich, Peter Donohoe, David Curtis, Orchestra of the Swan | A♭ Major | 2 | 4B | 75 BPM |
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