"Swan Lake, Op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - (Swan Lake)" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, James Morgan was released on May 5, 2020. The duration of Swan Lake, Op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - (Swan Lake) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Swan Lake, Op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - (Swan Lake)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 436 in the song's album "Tchaikovsky for the day". In this album, this song's track order is #327. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Swan Lake, Op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - (Swan Lake) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH. 12 / Act 2: No. 10 Scène (Moderato) - (Swan Lake) by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, James Morgan having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Journey (A Dream of Flight) - from 'The Wind Rises' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Die Walküre, WWV 86B - Concert version / Act 3: The Ride Of The Walkyres | Richard Wagner, Orchestre de Paris, Daniel Barenboim | G Major | 3 | 9B | 100 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
I Am the Captain of the Pinafore (from "H.M.S. Pinafore") | William Schwenck Gilbert, Arthur Sullivan, Neil Howlett, James Walker, Royal Philharmonic Orchestra | E Major | 3 | 12B | 105 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 126 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
Romeo and Juliet - Love Theme - Instrumental | Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy | D♭ Major | 0 | 3B | 58 BPM | ||
Die Fledermaus: Ouvertüre | Herbert von Karajan, Wiener Philharmoniker | D Major | 2 | 10B | 46 BPM |
Section: 0.7307801246643066
End: 0.7363698482513428