"Romeo and Juliet - Love Theme - Instrumental" by Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy was released on 1972. The duration of Romeo and Juliet - Love Theme - Instrumental is about 3 minutes long, at 3:08. Based on our data, "Romeo and Juliet - Love Theme - Instrumental" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Eugene Ormandy's "GREATEST HITS THE CLASSICAL JUKE BOX, VOL. I" album is number 22 out of 28. Romeo and Juliet - Love Theme - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliet - Love Theme - Instrumental by Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Theme (From "Romeo and Juliet") | Pyotr Ilyich Tchaikovsky, Eugene Ormandy | D♭ Major | 1 | 3B | 62 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Le Cid: Aragonaise | Jules Massenet, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 0 | 10B | 120 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Grainger / Orch. Artok: Country Gardens, BFMS 22 | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | E♭ Major | 2 | 5B | 157 BPM | ||
Nicolai: Die lustigen Weiber von Windsor: Ouvertüre | Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 71 BPM | ||
Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
6 Lieder ohne Worte, Op. 19: No. 6, Venezianisches Gondellied | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 64 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM |
Section: 0.6801409721374512
End: 0.6855413913726807