Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus made "Willow, Tit-Willow" available on April 11, 2023. The duration of Willow, Tit-Willow is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Willow, Tit-Willow's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When I Was A Lad by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus. The song's track number on the album is #3 out of 16 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Willow, Tit-Willow is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Willow, Tit-Willow by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Willow, Tit-Willow being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
The Magic Flute, Act I: Have mercy, have mercy | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
IAB 5: Ah! Love, but a Day | Amy Beach, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
Gounod : Faust : Act 1 "Ah! Paresseuse fille" [Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A Major | 0 | 11B | 113 BPM | ||
Ruddigore: Dialogue: "I recognize you now" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Minor | 0 | 3A | 87 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Les Troqueurs, Scène 4 - 5: Air "Ah! qu'il me tarde de te voir" (Margot) - "Va, va, j'épouserais morbleu..." (Lucas) | Antoine Dauvergne, Cappella Coloniensis, Jean-Marc Salzmann, Mary Saint-Palais, William Christie | E Minor | 2 | 9A | 71 BPM | ||
21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM |
Section: 0.6872014999389648
End: 0.6908845901489258