Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague's 'The Magic Flute, Act I: Have mercy, have mercy' came out on March 1, 2005. The Magic Flute, Act I: Have mercy, have mercy is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Elizabeth Vidal, Rebecca Evans, Simon Keenlyside, John Tomlinson, Leslie Garrett's "Mozart: The Magic Flute" album is number 2 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Magic Flute, Act I: Have mercy, have mercy's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Magic Flute, Act I: Have mercy, have mercy by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? | Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 144 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Aprite, presto, aprite" | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | C Minor | 1 | 5A | 65 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 169 BPM | ||
Rusalka, Op. 114 / Act 2: Cely svet neda ti, neda | Antonín Dvořák, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | F Major | 2 | 7B | 158 BPM | ||
Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante | Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum | C Major | 0 | 8B | 111 BPM | ||
Cosi fan tutte, K. 588, Act I: Suspect Dorabella? (Ferrando, Guglielmo, Don Alfonso) | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Orchestra of the Age of Enlightenment, Toby Spence, Christopher Maltman, Thomas Allen | A Major | 2 | 11B | 102 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM | ||
Jenufa / Act 1: Uz se vecer chyli | Leoš Janáček, Elisabeth Söderström, Marie Mrazova, Peter Dvorsky, Jana Jonasova, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 87 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM |
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