Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's 'Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante' came out on January 1, 2003. Since Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum's "Haydn: The 12 "London" Symphonies" album is number 6 out of 60. In terms of popularity, Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante by Franz Joseph Haydn, London Philharmonic Orchestra, Eugen Jochum to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D, Op. 35: Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Jascha Heifetz, Fritz Reiner | G Major | 1 | 9B | 84 BPM | ||
Violin Concerto No. 2 in D, K.211: 2. Andante | Wolfgang Amadeus Mozart, Zino Francescatti, Anne-Sophie Mutter, London Philharmonic Orchestra | G Major | 0 | 9B | 103 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel - Allegro moderato | Max Bruch, Yehudi Menuhin, Charles Münch | E♭ Major | 3 | 5B | 130 BPM | ||
6 Violin Sonatas, Op. 10b No. 6 in C Major, J. 104: I. Allegro con fuoco | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Major | 1 | 8B | 74 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM | ||
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. Tema con variazione. Andantino | Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel | G Major | 2 | 9B | 137 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM |
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