On November 17, 2022, the song "Rhapsody on a Theme of Paganini, Op. 43: Variation 18" was released by Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink. The duration of Rhapsody on a Theme of Paganini, Op. 43: Variation 18 is about 3 minutes long, at 3:16. Based on our data, "Rhapsody on a Theme of Paganini, Op. 43: Variation 18" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 152 out of 175 in Driving Classics: Rachmaninoff by Sergei Rachmaninoff, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rhapsody on a Theme of Paganini, Op. 43: Variation 18's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Rhapsody on a Theme of Paganini, Op. 43: Variation 18 by Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov) | Georges Bizet, Olga Kern, Sergei Rachmaninoff | D Minor | 1 | 7A | 135 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
A Midsummer Night's Dream, Op. 61: I. Scherzo (Arr. Rachmaninov) | Felix Mendelssohn, Olga Kern, Sergei Rachmaninoff | G Minor | 2 | 6A | 137 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
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