"L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov)" by Georges Bizet, Olga Kern, Sergei Rachmaninoff was released on 2004. The duration of L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov) is about 3 minutes long, at 3:10. Based on our data, "L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rachmaninov: Transcriptions; Corelli Variations". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'Arlésienne, Op. 23, WD 28: Minuet (Arr. Rachmaninov) by Georges Bizet, Olga Kern, Sergei Rachmaninoff having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Au fond du temple saint... Amitié sainte (Temple Duet) (Nadir, Zurga) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 2 | 6B | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM |
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