"Violin Concerto in D Major, Op. 77: II. Adagio" by Johannes Brahms, David Oistrakh, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra was released on May 30, 2020. Since Violin Concerto in D Major, Op. 77: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Concerto Brahms by Johannes Brahms, David Oistrakh, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra. The song's track number on the album is #2 out of 3 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Violin Concerto in D Major, Op. 77: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto in D Major, Op. 77: II. Adagio by Johannes Brahms, David Oistrakh, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto in D Major, Op. 77: II. Adagio being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | D Major | 3 | 10B | 82 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Symphony No. 8 'Unfinished' (1996 - Remaster): I. Allegro moderato (opening) | Herbert von Karajan, Berliner Philharmoniker | G Major | 0 | 9B | 98 BPM | ||
Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) | The Jane Austen Era | D Major | 0 | 10B | 112 BPM | ||
Serenade for Strings in C Major, Op. 48: IV. Allegro con spirito | Slovak Philharmonic | D Major | 4 | 10B | 79 BPM | ||
Foulds: Music poem No.4 for violin and orchestra, Op. 18, 'Apotheosis (Elegy)': IV. Tempo della prima stanza | John Foulds, Daniel Hope, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 0 | 11B | 120 BPM | ||
Orfeo ed Euridice: XXVII. Ballo: Andante (Dance of the Blessed spirits) (II. Act) | Southwest German Chamber Orchestra, Wilhelm Keitel | F Major | 0 | 7B | 72 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM |
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