Southwest German Chamber Orchestra, Wilhelm Keitel's 'Orfeo ed Euridice: XXVII. Ballo: Andante (Dance of the Blessed spirits) (II. Act)' had a release date set for 1991. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Orfeo ed Euridice: XXVII. Ballo: Andante (Dance of the Blessed spirits) (II. Act)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in London Festival Orchestra, Southwest German Chamber Orchestra's "Music For The Millions Vol. 27 - Chr. W. Gluck" album is number 22 out of 28. Orfeo ed Euridice: XXVII. Ballo: Andante (Dance of the Blessed spirits) (II. Act) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: XXVII. Ballo: Andante (Dance of the Blessed spirits) (II. Act) by Southwest German Chamber Orchestra, Wilhelm Keitel to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
Don Giovanni Tenorio, o Il convitato di pietra: Act II Scene 5: Duetto: Signor Commendatore… (Ficcanaso, Don Giovanni, Commendatore) | Giovanni Pacini, Leonardo Cortellazzi, Geraldine Chauvet, Zinovia-Maria Zafeiriadou, Ugo Guagliardo, Giorgio Trucco, Giulio Mastrototaro, Transylvania State Philharmonic Choir, Southwest German Chamber Orchestra, Daniele Ferrari | D Major | 2 | 10B | 116 BPM | ||
Piano Concerto No. 11 in F Major, K. 413/387a: II. Larghetto | Vestic Chamber Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Concerto in D Major: I. Allegro moderato | Johann Georg Albrechtsberger, Branimir Slokar, Paul Angerer, Southwest German Chamber Orchestra | B♭ Minor | 3 | 3A | 76 BPM | ||
Debussy: Petite Suite En bateau 드뷔시 작은 모음곡 1곡 조각배로 | 김준영 | G Major | 1 | 9B | 76 BPM | ||
Albinoni: Concerto a cinque in F Major, Op. 10 No. 7: II. Andante | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | A♭ Major | 2 | 4B | 66 BPM | ||
The Rustle of Spring, Op. 32/3 | Christian Sinding, Latvian Philharmonic Orchestra, Ilmar Lapinsch | F Minor | 1 | 4A | 93 BPM | ||
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
Don Giovanni Tenorio, o Il convitato di pietra: Prologo: Non lo capisco (Rosa, Francesco and Claudia Pacini) | Giovanni Pacini, Leonardo Cortellazzi, Geraldine Chauvet, Zinovia-Maria Zafeiriadou, Ugo Guagliardo, Giorgio Trucco, Giulio Mastrototaro, Transylvania State Philharmonic Choir, Southwest German Chamber Orchestra, Daniele Ferrari | C Major | 1 | 8B | 118 BPM |