Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey's 'Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato' came out on January 1, 2007. Since Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Thomas Fey's "Mendelssohn, Felix: Symphonies, Vol. 2 - Symphony No. 4, "Italian" / String Symphonies Nos. 7, 12" album is number 10 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": III. Con moto moderato by Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Valse De L'Amour - From "Cinderella" | Patrick Doyle | F Major | 1 | 7B | 77 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Swan lake Dance of the Little Swans | SC-Mirai | B Minor | 1 | 10A | 104 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 175 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro | Franz Joseph Haydn, Alban Berg Quartett | G Major | 1 | 9B | 102 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM |
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