Franz Joseph Haydn, Alban Berg Quartett's 'Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro' came out on January 1, 1974. Since Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Alban Berg Quartett's "Haydn: String Quartets "The Rider" & "Emperor"" album is number 5 out of 8. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. Allegro by Franz Joseph Haydn, Alban Berg Quartett to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Concertante in F Major, Op. 10 No. 1: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Pavla Honsová, Czech Philharmonic Chamber Orchestra, Michael Halasz | C Major | 1 | 8B | 122 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Love is A Choice | Kris Bowers | G Major | 1 | 9B | 98 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Symphonie Concertante in C Major, Op. 9 No. 1: I. Allegro | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | A Major | 0 | 11B | 202 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": II. Adagio cantabile | Joseph Haydn, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 127 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM |
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