Evergreen Symphony Orchestra, Kevin Galiè's 'La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade"' had a release date set for February 26, 2018. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 17 out of 53. The popularity of La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" by Evergreen Symphony Orchestra, Kevin Galiè to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor, Op. 41: III. Andante con moto quasi allegretto | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Major | 1 | 7B | 110 BPM | ||
The Sleeping Beauty, Op. 66 : (D) Aurore (Variation II) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E Major | 0 | 12B | 120 BPM | ||
Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 75 BPM | ||
Giselle: Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 144 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Romeo and Juliet, Op.64 - Act 1: Mercutio | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B♭ Minor | 3 | 3A | 85 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 1 in D Minor, Op. 13: II. Allegro animato | Sergei Rachmaninoff, National Symphony Orchestra Of Ireland, Alexander Anissimov | F Major | 0 | 7B | 81 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM |