"Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse" by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on 1983. Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Edvard Grieg, Sir Neville Marriner's "Grieg: Peer Gynt" album is number 6 out of 12. Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse by Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karelia Suite, Op. 11: 3. Alla marcia (Moderato) | Jean Sibelius, Helsinki Radio Symphony Orchestra, Okko Kamu | D♭ Major | 2 | 3B | 82 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Sir Neville Marriner, William Bennett, Academy of St. Martin in the Fields | B Minor | 3 | 10A | 118 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Grieg: Lyric Suite, Op. 54: II. Norwegian March | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Flautino Concerto in C Major, RV 443 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 86 BPM |
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