"Cantiones sacrae sex vocum: XI. Cantabant canticum Moysi" by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent was released on October 28, 2008. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent's "Lassus: Cantiones sacrae sex vocum" album is number 11 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Cantiones sacrae sex vocum: XI. Cantabant canticum Moysi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantiones sacrae sex vocum: XI. Cantabant canticum Moysi by Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
To Thee We Sing - S.Rachmaninoff Version | Kiev Chamber Choir | E♭ Major | 1 | 5B | 132 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Antiphon O eterne deus | Hildegard von Bingen, Anonymous 4 | G Major | 0 | 9B | 77 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | B Minor | 0 | 10A | 80 BPM |
Section: 0.6696727275848389
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