"String Quartet No. 3 "Leaves from an Unwritten Diary"" by Krzysztof Penderecki, Meccore String Quartet was released on May 5, 2023. String Quartet No. 3 "Leaves from an Unwritten Diary" appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Penderecki: Clarinet & String Quartets & String Trio". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. String Quartet No. 3 "Leaves from an Unwritten Diary" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 3 "Leaves from an Unwritten Diary" by Krzysztof Penderecki, Meccore String Quartet having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM | ||
Melodies for Saxophone: Melody 1 | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | C Major | 1 | 8B | 95 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Greenwood: 48 Responses to Polymorphia: Bridge | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | C Major | 1 | 8B | 42 BPM | ||
Symphony No. 7, "7 Gates of Jerusalem": III. De profundis | Krzysztof Penderecki, Olga Pasichnyk, Aga Mikolaj, Ewa Marciniec, Wiesław Ochman, Romuald Tesarowicz, Boris Carmeli, Henryk Wojnarowski, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 0 | 4A | 81 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
St. Luke Passion, Pt. 1: No. 2, Et egressus ibat (Live) | Krzysztof Penderecki, Lucas Meachem, Slawomir Holland, Orchestre Symphonique de Montréal, Kent Nagano | A Minor | 0 | 8A | 81 BPM |
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