"Symphony No. 7, "7 Gates of Jerusalem": III. De profundis" by Krzysztof Penderecki, Olga Pasichnyk, Aga Mikolaj, Ewa Marciniec, Wiesław Ochman, Romuald Tesarowicz, Boris Carmeli, Henryk Wojnarowski, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on October 31, 2006. Since Symphony No. 7, "7 Gates of Jerusalem": III. De profundis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Penderecki: Seven Gates of Jerusalem, "Symphony No. 7"". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Symphony No. 7, "7 Gates of Jerusalem": III. De profundis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7, "7 Gates of Jerusalem": III. De profundis by Krzysztof Penderecki, Olga Pasichnyk, Aga Mikolaj, Ewa Marciniec, Wiesław Ochman, Romuald Tesarowicz, Boris Carmeli, Henryk Wojnarowski, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Symphony No. 7, "7 Gates of Jerusalem": VI. Facta es super me manus Domini | Krzysztof Penderecki, Olga Pasichnyk, Aga Mikolaj, Ewa Marciniec, Wiesław Ochman, Romuald Tesarowicz, Boris Carmeli, Henryk Wojnarowski, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | F♯ Major | 2 | 2B | 139 BPM | ||
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
A Polish Requiem: VI. Quid sum miser | Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus | D♭ Major | 2 | 3B | 75 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki | D Major | 2 | 10B | 93 BPM | ||
Études: No. 9 | Philip Glass, Víkingur Ólafsson | F Minor | 1 | 4A | 114 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM |
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