Kurt Weill, London Sinfonietta, David Atherton's 'Suite For Wind Orchestra From "The Threepenny Opera" (1928): 1. Overture: Maestoso' came out on January 1, 1976. With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 1. Overture: Maestoso being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #1 out of 42 tracks. In terms of popularity, Suite For Wind Orchestra From "The Threepenny Opera" (1928): 1. Overture: Maestoso is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 1. Overture: Maestoso by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 1. Overture: Maestoso being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell / Arr. Pluhar: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 3 | 6A | 126 BPM | ||
Die Dreigroschenoper: Moritat von Mackie Messer | Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe | A Minor | 2 | 8A | 152 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Winterreise, D. 911: No. 1 Gute Nacht | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Minor | 0 | 5A | 107 BPM | ||
The Ragtime Dance (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | E♭ Major | 2 | 5B | 95 BPM | ||
Gia il sole dal gange | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 76 BPM | ||
Se tu m'ami (formerly attributed to Pergolesi) | Alessandro Parisotti, Cecilia Bartoli, György Fischer | F Minor | 0 | 4A | 76 BPM | ||
Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |
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