"Three Quarter-Tone Pieces for Two Pianos: Allegro" by Charles Ives, Josef Christof, Steffen Schleiermacher was released on 2006. The duration of Three Quarter-Tone Pieces for Two Pianos: Allegro is about 3 minutes long, at 3:28. Based on our data, "Three Quarter-Tone Pieces for Two Pianos: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #14. In terms of popularity, Three Quarter-Tone Pieces for Two Pianos: Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Quarter-Tone Pieces for Two Pianos: Allegro by Charles Ives, Josef Christof, Steffen Schleiermacher having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
Four Pieces For Clarinet And Piano, Op. 5: 1. Mässig | Alban Berg, Sabine Meyer, Oleg Maisenberg | C Minor | 0 | 5A | 81 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Set for Theatre Orchestra: II. In the Inn (Potpourri) | Charles Ives, Orchestra New England, James Sinclair | A Minor | 2 | 8A | 51 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM |
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