"Pelléas et Mélisande (Suite symphonique) [Arr. J. Nott for Orchestra], Act 5: The immutability of destiny" by Claude Debussy, Orchestre de la Suisse Romande, Jonathan Nott was released on December 11, 2021. The duration of Pelléas et Mélisande (Suite symphonique) [Arr. J. Nott for Orchestra], Act 5: The immutability of destiny is about 3 minutes long, at 3:07. Based on our data, "Pelléas et Mélisande (Suite symphonique) [Arr. J. Nott for Orchestra], Act 5: The immutability of destiny" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 35 in Debussy & Schoenberg: Pelléas & Mélisande by Orchestre de la Suisse Romande, Jonathan Nott. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Pelléas et Mélisande (Suite symphonique) [Arr. J. Nott for Orchestra], Act 5: The immutability of destiny is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande (Suite symphonique) [Arr. J. Nott for Orchestra], Act 5: The immutability of destiny by Claude Debussy, Orchestre de la Suisse Romande, Jonathan Nott is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Dawn - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
Enfantillages pittoresques: II. Berceuse | Erik Satie, Cristina Ariagno | A Minor | 0 | 8A | 127 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Estampes: I. Pagodes. Modérément animé | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.6305251121520996
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