"Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617" by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester was released on September 16, 2016. With this song being about 5 minutes long, at 4:54, "Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617" by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ÜberBach, so we believe that "Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617" is a single. The popularity of Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617 by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Notre envol, Duo for Piano & Violin | Raphaël Novarina, Anastasiia mazurok, Emiko Edwards | C Minor | 2 | 5A | 173 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM |
Section: 0.7212185859680176
End: 0.7256534099578857