"La maja dolorosa I" by Teresa Berganza, Juan Antonio Alvares Parejo was released on January 1, 1987. The duration of La maja dolorosa I is about 3 minutes long, at 3:11. Based on our data, "La maja dolorosa I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 26 in Canciones Españolas: Granados / Turina / Guridi / Toldra by Teresa Berganza. Based on our statistics, La maja dolorosa I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La maja dolorosa I by Teresa Berganza, Juan Antonio Alvares Parejo is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Trece canciones espanolas antiguas: Los cuatro muleros | Federico García Lorca, Narciso Yepes, Teresa Berganza | C Major | 1 | 8B | 154 BPM | ||
Rossini: L'Italiana in Algeri: Curda sorte! Amor tiranno! - Isabella | Gioachino Rossini, Teresa Berganza | D Major | 7 | 10B | 75 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM | ||
Malinconia, ninfa gentile | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | E Major | 2 | 12B | 94 BPM | ||
El Ultimo Romantico | Teresa Berganza, English Chamber Orchestra | F Minor | 4 | 4A | 77 BPM | ||
Paride ed Elena, Wq. 39 / Act 1 / Scene 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | E Minor | 1 | 9A | 131 BPM | ||
Massenet: Don Quichotte, Act 4: "Lorsque le temps d'amour a fui" (Dulcinée) | Jules Massenet, Michel Plasson, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |
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