"Sonate à huit, H. 548: IV. Gavotte - Gigue - Passacaille - Chaconne" by Marc-Antoine Charpentier, Les Dominos had its release date on October 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 25 out of 25 in Charpentier: Pour un reposoir, Noëls sur les instruments & Sonate à huit by Goldbæk, Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov, Kirill Gerstein, Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Florence Malgoire. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Sonate à huit, H. 548: IV. Gavotte - Gigue - Passacaille - Chaconne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate à huit, H. 548: IV. Gavotte - Gigue - Passacaille - Chaconne by Marc-Antoine Charpentier, Les Dominos is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Un flambeau, Jeanette-Isabelle, H. 460c: Noel: Un flambeau, Janette, Isabelle!, H. 460c | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
Médée, H. 491, Act I: Récit. "D'où vous vient cet air sombre" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM |