On October 9, 1996, the song "Konzert für Oboe Nr. 3 g-Moll, HWV 287: Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave" was released by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Konzert für Oboe Nr. 3 g-Moll, HWV 287: Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward's "HANDEL: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 1 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Konzert für Oboe Nr. 3 g-Moll, HWV 287: Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Konzert für Oboe Nr. 3 g-Moll, HWV 287: Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM |