"4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities)" by Olivier Messiaen, Håkon Austbø was released on September 28, 1999. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olivier Messiaen's "Messiaen: Preludes / 4 Rhythmic Studies / Canteyodjaya" album is number 10 out of 13. In terms of popularity, 4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 4 Etudes de rythme: Mode de valeurs et d'intensites (Mode of Durations and Intensities) by Olivier Messiaen, Håkon Austbø to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Tone-Pictures, Op. 5 (version for orchestra): No. 2. The Vale of Dreams | Charles Griffes, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 79 BPM | ||
Quatuor pour la fin du temps: 2. Vocalise, pour l'Ange qui annonce la fin du temps | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 1 | 9B | 97 BPM | ||
Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 2 Mässig (Achtel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 134 BPM | ||
Etudes-tableaux, Op. 39: No. 8 in D Minor. Allegro moderato | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 8. Molto moderato, ma movendo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 51 BPM | ||
Turangalîla Symphonie: 8. Développement de l'amour | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | F♯ Major | 2 | 2B | 146 BPM | ||
Études-Tableaux, Op. 39: I. Allegro agitato | Sergei Rachmaninoff, Sergei Babayan | C Minor | 1 | 5A | 73 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Piano Sonata No. 3 in A Minor, Op. 28 | Sergei Prokofiev, Matti Raekallio | C Major | 2 | 8B | 85 BPM |
Section: 0.5968272686004639
End: 0.60115647315979