"Turangalîla Symphonie: 8. Développement de l'amour" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. Turangalîla Symphonie: 8. Développement de l'amour appears to be safe for all ages as it is not explicit. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 8 out of 10. Based on our statistics, Turangalîla Symphonie: 8. Développement de l'amour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 8. Développement de l'amour by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: II. Allegro appassionato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivacissimo - Adagio - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 71 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Saint Francois D'Assise / Premier Acte: Pardonne-moi, Père, je récrimine toujours (le Lépreux, Saint Francois) | Olivier Messiaen, Chris Merritt, José van Dam, Hallé, Kent Nagano, Jeanne Loriod, Arnold Schoenberg Chor, Erwin Ortner | C Major | 3 | 8B | 169 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Turangalila-symphonie: III Turangalila 1 | Olivier Messiaen, Thomas Bloch, Francois Weigel, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 2 | 10B | 97 BPM | ||
Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Jean-Yves Thibaudet, Takashi Harada, Royal Concertgebouw Orchestra, Riccardo Chailly | D♭ Major | 6 | 3B | 87 BPM | ||
Scythian Suite, Op. 20: III. Night | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 178 BPM | ||
Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Yvonne Loriod, Orchestre Des Cento Soli, Rudolf Albert | G Major | 1 | 9B | 84 BPM |
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