Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act I - " So ein Tag heute "" available on November 24, 2011. With Arizona Lady: Act I - " So ein Tag heute " being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 21 out of 45. Arizona Lady: Act I - " So ein Tag heute " is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Arizona Lady: Act I - " So ein Tag heute " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in A Major, S. 125: 3. Marziale un poco meno allegro | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 123 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": II. Scene by the Brook: Andante molto mosso | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 0 | 7B | 148 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso | Gustav Mahler, Gerhild Romberger, Bavarian Radio Symphony Orchestra, Bernard Haitink | A Minor | 0 | 8A | 92 BPM | ||
Die Walküre, WWV 86B, Act III Scene 1: Walkürenritt - Hojotoho! Heiaha! (Live) | Richard Wagner, Alwyn Mellor, Anna Gabler, Jennifer Johnston, Claudia Huckle, Katherine Broderick, Eva Vogel, Anna Lapkovskaja, Simone Schröder, Bavarian Radio Symphony Orchestra, Sir Simon Rattle | G Major | 3 | 9B | 97 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Sonnenaufgang (Sunrise) - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Die Walküre, WWV 86B, Act I: Vorspiel (Live) | Richard Wagner, Bavarian Radio Symphony Orchestra, Sir Simon Rattle | B♭ Major | 3 | 6B | 140 BPM | ||
Symphony No. 9 in D Minor, WAB 109: 2. Scherzo (Bewegt lebhaft) - Trio (Schnell) - Scherzo da capo | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum | F♯ Minor | 3 | 11A | 108 BPM |
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