Richard Wagner, Bavarian Radio Symphony Orchestra, Sir Simon Rattle's 'Die Walküre, WWV 86B, Act I: Vorspiel (Live)' came out on April 3, 2020. The duration of Die Walküre, WWV 86B, Act I: Vorspiel (Live) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Die Walküre, WWV 86B, Act I: Vorspiel (Live)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Die Walküre, WWV 86B (Live) by Richard Wagner, James Rutherford, Iréne Theorin, Bavarian Radio Symphony Orchestra, Sir Simon Rattle. The song's track number on the album is #1 out of 58 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Die Walküre, WWV 86B, Act I: Vorspiel (Live)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B, Act I: Vorspiel (Live) by Richard Wagner, Bavarian Radio Symphony Orchestra, Sir Simon Rattle has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Walküre, WWV 86B, Act I: Vorspiel (Live) being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Götterdämmerung, WWV 86D, Prologue: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B Major | 0 | 1B | 65 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | F Major | 0 | 7B | 71 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | C Major | 2 | 8B | 62 BPM |
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