The Rake's Progress: Act 1, scene 3: No word from Tom - Igor Stravinsky, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France Information

Acousticness: 98%
Danceability: 26%
Energy: 9%
Instrumentalness: 2%
Liveness: 10%
Loudness: 66%
Speechiness: 6%
Valence: 5%
Popularity: 0%
Loudness: -20.132 dB

Summary

"The Rake's Progress: Act 1, scene 3: No word from Tom" by Igor Stravinsky, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France was released on June 5, 1987. Since The Rake's Progress: Act 1, scene 3: No word from Tom is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Airs d'Opera - Opera Arias by Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France. The popularity of The Rake's Progress: Act 1, scene 3: No word from Tom is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rake's Progress: Act 1, scene 3: No word from Tom BPM

The tempo marking of The Rake's Progress: Act 1, scene 3: No word from Tom by Igor Stravinsky, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

The Rake's Progress: Act 1, scene 3: No word from Tom Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prélude à l'après-midi d'un faune, L. 86	Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	0	1A	84 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo	Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E Major	0	12B	81 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	B♭ Minor	1	3A	86 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	E♭ Minor	3	2A	60 BPM
Quatuor pour la fin du Temps: IV. Intermède	Olivier Messiaen, Martin Fröst	F♯ Major	2	2B	96 BPM
Divertimento: II. Waltz: Allegretto, con grazia	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D♭ Major	1	3B	106 BPM
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio	Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi	D♭ Major	0	3B	69 BPM
Daphnis et Chloé, M. 57 / Première partie: Introduction - Lent - Très modéré	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	B Minor	0	10A	92 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8177807331085205

End: 0.8218011856079102