"5 Pieces for Orchestra (1913): V. (Alla breve)" by Anton Webern, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1996. With 5 Pieces for Orchestra (1913): V. (Alla breve) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Webern: Symphony Op.21 by Anton Webern, Christiane Oelze, Gerald Finley, Berliner Philharmoniker, Pierre Boulez, BBC Singers. The song's track number on the album is #5 out of 21 tracks. Based on our statistics, 5 Pieces for Orchestra (1913): V. (Alla breve)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Pieces for Orchestra (1913): V. (Alla breve) by Anton Webern, Berliner Philharmoniker, Pierre Boulez has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 5 Pieces for Orchestra (1913): V. (Alla breve) being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4, Op. 25, "Suite": III. Adagietto: Adagio | Alexander von Zemlinsky, Escher String Quartet | E♭ Minor | 0 | 2A | 76 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Viola Concerto: Vivace - | Krzysztof Penderecki, Grigori Zhislin, Warsaw Philharmonic Orchestra, Antoni Wit | A Minor | 2 | 8A | 90 BPM | ||
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM |
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